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Dan Flory

Dan Flory is Professor of Philosophy at Montana State University and author of Philosophy, Black Film, Film Noir (Penn State University Press, 2008) as well as co-editor (with Mary K. Bloodsworth-Lugo) of Race, Philosophy, and Film (Routledge, 2013). He has also written over thirty essays on philosophy, critical race theory, film, and the history of philosophy. He is currently working on a monograph on disgust, race, and film.
27Apr

Conference Registration Deadlines Approaching

by Dan Flory in Forum
Reminder: the early-bird conference registration deadline is approaching!
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20Mar

2018 Conference Registration Open

by Dan Flory in Forum
You can now register for SCSMI 2018 conference in Bozeman, Montana, at https://scsmi-online.org/conference.
Read More

Recent Posts

  • CfP Special Issue ‘Neuroscience and the Media’
  • Job Advertisement: Assistant Professor of Film Studies (University of Groningen)
  • New Book: Authorship and Aesthetics in the Cinematography of Gregg Toland by Philip Cowan
  • SCSMI 1st Pre-Conference Methodology Workshops 2022 May 3rd
  • New APA (American Psychological Assn.) journal
  • Join online: Baltic NeuroCine conference May 16-18, Tallinn University
  • Paisagem e Deriva no Cinema de Clint Eastwood (Landscape and Adrift in the Cinema of Clint Eastwood)
  • Call for Papers: Special Issue on Immersive Visual Storytelling, PRESENCE: Virtual and Augmented Reality
  • PROJECTIONS – Call for book reviews
  • Shot scale database online.
  • Projections book reviewer needed
  • New SCSMI Twitter handle and Discord server to stay connected during the conference
  • CFP: Evo Film Theory Panel at SCMS
  • CfP: “Utopia & Dystopia Conference on the Fantastic in Media Entertainment,” May 28-29, 2020, University of Southern Denmark

Useful Links

  • Cinemetrics
  • Confessions of an Aca-Fan
  • Observations on Film Art
  • Senses of Cinema, Links Page
  • Society for Cinema and Media Studies
  • University Film and Video Association

Society for Cognitive Studies of the Moving Image

An interdisciplinary organization made up of scholars interested in cognitive, philosophical, aesthetic, neurophysiological, and evolutionary-psychological approaches to the analysis of film and other moving-image media.

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