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Catalin Brylla

Senior Lecturer in Film, University of West London
21Aug

CFC – Documentary and Cognitive Theory

by Catalin Brylla in Forum | 0 Comment
Dear Colleagues, I hope you are interested in this Call for Chapter Proposals: Documentary and Cognitive Theory Editors: Catalin Brylla and Mette Kramer There has been very little convergence between […]
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20May

Question about two-shots

by Catalin Brylla in Forum | 0 Comment
Hello, Filmmaking manuals have repeatedly mentioned the importance of the two-shot (as opposed to the shot/reverse shot) as a method to align or connect two characters spatially and emotionally. However, […]
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Recent Posts

  • CfP Special Issue ‘Neuroscience and the Media’
  • Job Advertisement: Assistant Professor of Film Studies (University of Groningen)
  • New Book: Authorship and Aesthetics in the Cinematography of Gregg Toland by Philip Cowan
  • SCSMI 1st Pre-Conference Methodology Workshops 2022 May 3rd
  • New APA (American Psychological Assn.) journal
  • Join online: Baltic NeuroCine conference May 16-18, Tallinn University
  • Paisagem e Deriva no Cinema de Clint Eastwood (Landscape and Adrift in the Cinema of Clint Eastwood)
  • Call for Papers: Special Issue on Immersive Visual Storytelling, PRESENCE: Virtual and Augmented Reality
  • PROJECTIONS – Call for book reviews
  • Shot scale database online.
  • Projections book reviewer needed
  • New SCSMI Twitter handle and Discord server to stay connected during the conference
  • CFP: Evo Film Theory Panel at SCMS
  • CfP: “Utopia & Dystopia Conference on the Fantastic in Media Entertainment,” May 28-29, 2020, University of Southern Denmark

Useful Links

  • Cinemetrics
  • Confessions of an Aca-Fan
  • Observations on Film Art
  • Senses of Cinema, Links Page
  • Society for Cinema and Media Studies
  • University Film and Video Association

Society for Cognitive Studies of the Moving Image

An interdisciplinary organization made up of scholars interested in cognitive, philosophical, aesthetic, neurophysiological, and evolutionary-psychological approaches to the analysis of film and other moving-image media.

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