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film style

17Jul

With the past in front of the character

by Maarten Coëgnarts in Forum | 0 Comment
Dear colleagues, We are pleased to announce that our most recent paper entited “With the Past in Front of the Character: Evidence for Spatial-Temporal Metaphors in Cinema” has been published […]
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24Mar

Philosophical Aesthetics and the Sciences of Art

by Murray Smith in Forum | 0 Comment
Members of SCSMI may be interested in the following recent publication: Philosophical Aesthetics and the Sciences of Art, Royal Institute of Philosophy Supplement 75 (October 2014), ed. Greg Currie, Matthew […]
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13Jul

Film style: a motor approach

by Michele Guerra in Forum | 0 Comment
“How can cinema have so powerful a reality effect when it is so manifestly unreal?” Vittorio Gallese and I have started from this very simple assumption by Steven Shaviro to […]
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Recent Posts

  • Conference CfP: Analytic Aesthetics and Film Studies
  • 2018 Conference Registration Open
  • New Projections-related post on the Berghahn blog
  • Projections: new submission formats
  • Third International Conference Colour in Film in London, March 19 to 21, 2018
  • Projections update
  • Literary Universals + Film, Art, and the Third Culture – New York, Saturday 6 January
  • Cognitive Futures in the Arts and Humanities – deadline update
  • Cognitive Futures in the Arts and Humanities – University of Kent, 1-4 July, 2018
  • SCSMI 2018, Dec. 22 deadline
  • BSA Synergy Conference Scheme
  • Cinema Production position at Virginia Tech
  • Stephen Prince elected SCSMI president
  • Two Tenure-Track Assistant Professor Positions at the University of North Carolina Wilmington

Useful Links

  • Cinemetrics
  • Confessions of an Aca-Fan
  • Observations on Film Art
  • Senses of Cinema, Links Page
  • Society for Cinema and Media Studies
  • University Film and Video Association

Society for Cognitive Studies of the Moving Image

An interdisciplinary organization made up of scholars interested in cognitive, philosophical, aesthetic, neurophysiological, and evolutionary-psychological approaches to the analysis of film and other moving-image media.

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