The Society for Cognitive Studies of the Moving Image (SCSMI) is an interdisciplinary organization made up of scholars interested in cognitive, philosophical, aesthetic, neurophysiological, and evolutionary-psychological approaches to the analysis of film and other moving-image media. The society is on the forefront of studying how moving-image media shape and are shaped by human psychological activity.

From the Forum

Neurofilmology

By Michele Guerra

Dear members, at the link below you find the table of contents and the abstracts from the last issue of Cinéma & Cie. International Film Studies Journal, edited by A. D’Aloia and R. Eugeni and devoted to “Neurofilmology: Audiovisual Studies and the … more . . .

CFP: Digital Aesthetics of Violence, Journal of Popular Film & Television

By Stuart Bender

Hi folks, SCSMI folks may be interested in this CFPs for a special issue of the Journal of Popular Film & Television. Since the advent of digital technologies in cinema, notions of realism, authenticity, and affect have driven theoretical and … more . . .

Film and Empathy: Crossing Perspectives

By Murray Smith

FILM AND EMPATHY: CROSSING PERSPECTIVES 06 June 2015, 16:00 – 18:30 http://bit.ly/1IP7BcY Venue: Room 349 (Third Floor) Senate House, South Block
, Malet Street, London WC1E 7HU Speakers: Vittorio Gallese (Neuroscience, University of Parma); Murray Smith (Film Theory, University of Kent); Alessandro … more . . .

Question about two-shots

By Catalin Brylla

Hello, Filmmaking manuals have repeatedly mentioned the importance of the two-shot (as opposed to the shot/reverse shot) as a method to align or connect two characters spatially and emotionally. However, I have not been able to find a reference from … more . . .